The Archaeological Museum of Heraklion the largest museum for Minoan civilization in Greece and in the world, except for the various forms of life and Minoan fabrics are wonderful in the complexity of their plans, with geometric shapes and patterns mainly from the natural world. The same complex and elegant are the clothes that are familiar to us from many categories of sources. The most important thing is performances in human figures in the famous frescoes of Knossos dating mainly to the neo-Number. Penalties and complex worship scenes are depicted. Excellent art clothes are present, very elegantly in terms of details, knocks, skirts, tunic, It is worth mentioning particular Kombera wide film tied to a node and attached to the neck. The color scale exploits the contrasts of the invasive films with the colorful or just main parts of the clothes. As for the clothing performances of the same importance, they are seals and seals with all kinds of worship and ornamental costumes. In addition, rituals around clothing assignments that are officially transported and hung up close.In addition, rituals around clothing assignments that are officially transported and hung up close.In addition, rituals around clothing assignments that are officially transported and hung up close.
in the Museum of Heraklion, two important functions are saved: of the thread, which is done with the help of the inertia, so that The irresponsible were the weights that stretched the columns.
In this report, there is a reconstruction of the loom with weights.
it was a great effort, where a carpenter, an archaeologist and a specialized textile worker worked, in long-term meetings and a series of tests, for Minoan fabrics with their patterns, especially for this exhibition and with threads produced as ancient as ancient and e Finally, the anxieties hanging from the columns are genuine copies of the ancients.
At the Heraklion Museum there is another category of findings associated with the production of fabrics. They are the signs of Linear B that record information about the production, types and trade of weave, which had
E. Glykatzis Arveler, t. Rector of Sorbonne – President of the University of Europe
I. Palikaris, Prof. Ophthalmology University of Crete – President of the University of the Mountains
O. Zora, Rector of the University of Crete“
St. Mandalaki, Head of Archaeological Museum of Heraklion
B. Terzakis Palikaris, inspirer & Missileopis Gandhi Mission Coordinator
Th. Detorakis, hom. Prof. Byzantine Philology University of Crete
D. Panagiotopoulos, Prof. Archeology University of Heidelberg
I. Pygiotakis, Prof. Pedagogical University of Crete
D. Sfakianakis, archaeologist – Archaeological Museum of Heraklion
Mr. Mamalakis, researcher of Modern History
P. Mikhailidis, Prof. Pedagogical University of Crete
A. Vakas, Prof. Neurosurgery University of Crete
C. Nikolakakis, if. Prof. Common. Anthropology University of Crete
Mr. Paschalis, et al. Geoponia TEI of Crete
P. Consoleaki, systemic advisor
M. You’re talking, PhD, University Coordinator of the Mountains
The Penelope Gandhi Mission to the Archaeological Museum of Heraklion
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31.05.2016, The textile art at the Archaeological Museum of Heraklion site tovima.gr p.2
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«Penelope Gandhi »: the thread of the loom that indicates the plan of the future
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31.05.2016, The textile art at the Archaeological Museum of Heraklion, site tovima.gr
30.05.2016, Events continue at the Archaeological Museum of Heraklion, cretalive website.gr
30.05.2016, The Penelope Gandhi Mission to the Archaeological Museum of Heraklion, site in.gr
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